Making a performance: devising histories and contemporary practices
Emma Govan, Helen Nicholson, Katie Normington"Making a Performance: Devising Histories and Contemporary Practices" is a comprehensive exploration of devised performance, authored by Emma Govan, Helen Nicholson, and Katie Normington. Published by Routledge in 2007, the book traces the evolution of devised performance from early 20th-century theatrical experiments to contemporary radical performances.
Overview
The text delves into the historical context of performance-making, providing insights into various methodologies and practices that have shaped the landscape of contemporary theatre. It emphasizes the significance of collaborative creation in performance, illustrating how different performance-makers have drawn from experimental aesthetics to innovate their work.
Key Themes
Historical Context: The book outlines the origins of devised performance, highlighting key movements and figures that have influenced its development.
Contemporary Practices: It examines current trends in performance-making, discussing how modern practitioners are reinterpreting traditional forms and experimenting with new techniques.
Theoretical Framework: The authors integrate theoretical perspectives with practical applications, making the book a valuable resource for both students and practitioners in the field of performance studies.
1. art of devising -- 2. But is it art? : art and non-art -- 3. creative performer -- 4. Art, politics and activism -- 5. Autobiographical performance -- 6. Narratives of community -- 7. Adapting fictional stories -- 8. Making performance space/creating environments -- 9. place of the artist -- 10. Between routes and roots : performance, place and diaspora -- 11. speaking body : physical theatres -- 12. Virtual bodies -- 13. Shifting boundaries : concluding thoughts